Italian Art
Notes for my upcoming travels through Italy, following Frederick Hartt's "History of Italian Art".
- Agesander of Rhodes1
- Agnolo Gaddi1
- Alvise Vivarini1
- Andrea da Firenze2
- Andrea del Castagno3
- Andrea del Sarto1
- Andrea del Verrocchio5
- Andrea Mantegna1
- Andrea Orcagna2
- Andrea Pisano2
- Andrea Pozzo3
- Andrea Schiavone
- Annibale Carracci
- Antonello da Messina1
- Antoninus Pius
- Antonio Canova2
- Antonio Contin
- Antonio del Pollaiuolo4
- Antonio Rizzo1
- Apollonios, son of Nestor1
- Apollonius of Tralles
- Arnolfo di Cambio2
- Baccio Bandinelli1
- Baldassare Longhena
- Baldassare Peruzzi
- Bartolomeo Vivarini1
- Battista Franco Veneziano
- Benedetto da Maiano
- Benozzo Gozzoli2
- Bernabò Visconti
- Bernardo Daddi
- Bernardo Strozzi
- Bronzino1
- Caravaggio5
- Carlo Fontana
- Carlo Maratta1
- Cesare Nebbia1
- Cigoli (Ludovico Cardi)
- Cima da Conegliano1
- Coppo di Marcovaldo1
- Correggio1
- Cosimo de' Medici
- Cosmati2
- Cosmè Tura1
- Cristofano Allori1
- Cristoforo Roncalli1
- Desiderio da Settignano1
- Dieric Bouts1
- Domenichino1
- Domenico di Michelino1
- Domenico Ghirlandaio4
- Domenico Veneziano1
- Donatello14
- Donato Bramante
- Duccio di Buoninsegna1
- El Greco1
- Federico Zuccari
- Filippino Lippi1
- Filippo Brunelleschi5
- Filippo della Valle3
- Filippo Lippi3
- Filippo Rusuti1
- Fra Angelico3
- Fra Bartolommeo1
- Fra Mauro1
- Francesco Cozza2
- Francesco Queirolo1
- Gentile Bellini5
- Gentile da Fabriano1
- Gian Galeazzo Visconti
- Gian Lorenzo Bernini4
- Giorgio Vasari2
- Giorgione1
- Giotto di Bondone4
- Giovanni Battista Maini
- Giovanni Battista Zelotti
- Giovanni Bellini7
- Giovanni Cimabue1
- Giovanni di Bicci de' Medici
- Giovanni Francesco Romanelli1
- Giovanni Guerra
- Giovanni Odazzi1
- Giovannino dei Grassi1
- Girolamo Muziano1
- Girolamo Siciolante da Sermoneta
- Giuliano da Maiano1
- Giuseppe Cesari (Cavalier d'Arpino)1
- Giuseppe Mengoni
- Giuseppe Pannini
- Giuseppe Porta (Salviati)
- Guido Reni
- Hadrian
- Igor Mitoraj1
- Jacobello dalle Masegne
- Jacobello del Fiore1
- Jacopo Bassano1
- Jacopo Bellini1
- Jacopo de' Barbari1
- Jacopo Sansovino2
- Jacopo Torriti1
- Jean-Antoine Houdon1
- Leon Battista Alberti2
- Leonardo da Vinci7
- Lorenzetto1
- Lorenzo Ghiberti5
- Lorenzo Lotto1
- Lorenzo Monaco1
- Lorenzo Veneziano1
- Luca della Robbia1
- Lysippos
- Mark the Evangelist
- Masaccio1
- Maso di Banco1
- Masolino
- Melozzo da Forlì2
- Michelangelo Buonarroti30
- Michele Giambono2
- Michelozzo di Bartolommeo
- Mino del Reame
- Nanni di Banco1
- Nicola Salvi
- Padovanino
- Palma il Giovane1
- Paolo Uccello3
- Paolo Veneziano1
- Paolo Veronese9
- Piero della Francesca1
- Pierpaolo dalle Masegne1
- Pierre Le Gros the Younger1
- Pieter Brueghel the Younger1
- Pietro Bernini
- Pietro Bracci2
- Pietro Cavallini1
- Pietro Perugino4
- Pompeo Batoni1
- Pope Julius II
- Rabirius
- Raphael19
- Sandro Botticelli9
- Taddeo Gaddi2
- Tintoretto6
- Titian14
- Vittore Carpaccio6
- "Quisquis Amat" Inscription Before 79 AD
- "Sappho" Fresco 1st century AD
- Abraham and Isaac Titian 1542-1544
- Abundance of Fruits c. 1735-1762
- Adoration of the Magi Leonardo da Vinci c. 1481–1482
- Adoration of the Magi Francesco Cozza 1661
- Adoration of the Magi Sandro Botticelli c. 1475–1476
- Adoration of the Magi Gentile da Fabriano 1423
- Adoration of the Magi Mosaic Fragment c. 705–707
- Adoration of the Shepherds Domenico Ghirlandaio 1485
- Adoration of the Shepherds Filippino Lippi c. 1480
- Adoration of the Shepherds Francesco Cozza 1661
- Aeneas, Anchises, and Ascanius Gian Lorenzo Bernini c. 1618–1619
- Alexamenos graffito c. 200 AD
- Alexander Mosaic c. 120-100 BC
- Allegory of Abundance Filippo della Valle c. 1751-1762
- Allegory of Health (Salubrity) Filippo della Valle c. 1751-1762
- Altars of St Paul, St James, and St Clement Antonio Rizzo Second half of 15th century
- Amphitheatre of Pompeii c. 80 BC
- Annunciation Melozzo da Forlì c. 1470s
- Annunciation Leonardo da Vinci c. 1472–1476
- Annunciation Fra Angelico c. 1440–1445
- Annunciation Altar Filippo della Valle 18th century
- Apollo and Daphne Gian Lorenzo Bernini 1622–1625
- Apollo with Cithara Fresco Ancient Roman
- Apotheosis of Venice Paolo Veronese 1585
- Apse and Presbytery Frescoes Andrea Pozzo 1685-1701
- Apse Mosaic: Coronation of the Virgin Jacopo Torriti c. 1295–1296
- Arcade Statues c. AD 80
- Arch of Constantine AD 315
- Arch of Septimius Severus 203 AD
- Arch of Titus c. 81 AD
- Aristotle Paolo Veronese 1560s
- Arithmetic and Geometry Paolo Veronese 1556-1557
- Ascension Cupola Mosaic 12th-13th century
- Assumption of the Virgin Titian 1515-1518
- Athletes Mosaics c. 4th century AD (later restoration of original baths)
- Atlas Slave Michelangelo c. 1525-1530
- Atys-Amorino Donatello c. 1440
- Awakening Slave Michelangelo c. 1525-1530
- Bacchus Michelangelo 1496-1497
- Bacchus, Venus and Ariadne Tintoretto 1576-1577
- Baptistery Ceiling Mosaic Coppo di Marcovaldo c. 1270–1300
- Baptistery Font Jacopo Sansovino 16th century
- Baptistery Mosaics 14th century
- Baroncelli Chapel Frescoes Taddeo Gaddi c. 1328–1330
- Basilica Aemilia 179 BC (original); 34 BC (rebuilt by Paullus Aemilius Lepidus)
- Basilica Graffiti Before 79 AD
- Basilica Julia Begun 46 BC by Julius Caesar; completed by Augustus 12 AD
- Battle of Cascina Michelangelo 1504-1506
- Battle of San Romano Paolo Uccello c. 1435–1460
- Battle of the Centaurs Michelangelo c. 1492
- Bearded Slave Michelangelo c. 1525-1530
- Belvedere Torso Apollonios 1st century BC (likely a copy of an earlier 2nd century BC Greek bronze)
- Birth of Venus Sandro Botticelli c. mid-1480s
- Bocca della Verità 1st century AD (placed in church portico 1632)
- Boy with a Basket of Fruit Caravaggio c. 1593
- Bronze David Donatello c. 1440s
- Bronze Entrance Doors Igor Mitoraj 2005
- Bronze Pulpits Donatello c. 1460-1466
- Brunelleschi Crucifix Filippo Brunelleschi c. 1410-1415
- Brutus Michelangelo c. 1539-1540
- Byzantine Mosaics of San Marco 11th-13th century (and later)
- Cain and Abel Titian 1542-1544
- Calumny of Apelles Sandro Botticelli c. 1494–1495
- Cantoria (Donatello) Donatello 1433–1439
- Cantoria (Luca della Robbia) Luca della Robbia 1431–1438
- Cartoon for Philosophy Raphael c. 1509-1510
- Cestello Annunciation Sandro Botticelli 1489–1490
- Chapter House Fresco Andrea da Firenze c. 1365–1367
- Chiesa di Santa Maria presso San Satiro 1482-1486
- Christ and Saint Thomas Andrea del Verrocchio 1467–1483
- Ciborium Columns 13th century
- Ciborium of Deodatus 1294
- CIL 4.5296 Before 79 AD
- Circus of Maxentius AD 306-312
- Coffered Ceiling c. 1493–1500
- Colossus of Nero c. AD 64-68
- Column Base Reliefs (Victories and Captives) c. AD 312–315
- Column of Phocas 608 AD
- Competition Panel (Brunelleschi) Filippo Brunelleschi 1401
- Competition Panel (Ghiberti) Lorenzo Ghiberti 1401
- Constantinian Frieze (North and East Sides: Entry into Rome, Oration in the Forum, Largesse) c. AD 312–315
- Constantinian Frieze (South and West Sides: Departure from Milan, Siege of Verona, Battle of the Milvian Bridge) c. AD 312–315
- Coronation of the Virgin 15th century
- Coronation of the Virgin Lorenzo Monaco 1414
- Cosmatesque Pavement Cosmati 12th century
- Creation of Adam Michelangelo 1508-1512
- Creation of Adam Andrea Pisano 1334–1343
- Creation of Sun, Moon and Plants Michelangelo 1511
- Crossing of the Red Sea Bronzino 1541-1542
- Crucifix Michelangelo c. 1492
- Crucifix Giotto di Bondone c. 1290–1300
- Crucifixion Jacopo Bellini c. 1450
- Crucifixion Giovanni Bellini 1453-1455
- Curia Julia 44 BC (begun by Julius Caesar); completed by Augustus
- Dacian Prisoner Statues c. AD 107–117 (reign of Trajan); reused AD 315
- Danaë Correggio c. 1531
- Dante Before the City of Florence Domenico di Michelino 1465
- David Andrea del Verrocchio c. 1473–1475
- David Michelangelo 1501-1504
- David Gian Lorenzo Bernini 1623–1624
- David and Goliath Titian 1542-1544
- David and Goliath Michelangelo 1509
- David with the Head of Goliath Caravaggio c. 1609–1610
- Delivery of the Keys Pietro Perugino 1481–1482
- Descent from the Cross Fra Angelico 1432–1434
- Descent of the Holy Ghost 1790
- Disputa Raphael 1509-1510
- Doge Giovanni Mocenigo Gentile Bellini c. 1478–1485
- Dome of Florence Cathedral Filippo Brunelleschi 1420–1436
- Enthroned Christ with Madonna and Saints Andrea Orcagna 1357
- Enthroned Madonna and Child (Tarquinia Madonna) Filippo Lippi 1437
- Enthroned Madonna and Child with Angels and Prophets Cimabue c. 1280–1290
- Equestrian Monument of Niccolò da Tolentino Andrea del Castagno 1456
- Equestrian Statue of Bartolomeo Colleoni Andrea del Verrocchio 1480–1488
- Equestrian Statue of Bernabò Visconti c. 1363
- Erotic Art in Pompeii and Herculaneum 1st century BC - 1st century AD
- Ezekiel's Vision Raphael c. 1518
- Fall of Adam and Eve and Expulsion Michelangelo 1509-1510
- Fall of Simon Magus Pompeo Batoni 1746-1755
- Farnese Bull Roman copy of 2nd century BC original
- Farnese Hercules Glykon Early 3rd century AD (copy of 4th century BC Greek bronze)
- Fertility of Crops c. 1735-1762
- Fontane di Piazza Farnese Original: 3rd century AD; Fountain conversion: 16th century
- Four Crowned Martyrs Nanni di Banco c. 1409–1417
- Fra Mauro Map Fra Mauro c. 1450
- Frari Triptych Giovanni Bellini 1485–1488
- Funeral of St. Francis Giotto c. 1325–1328
- Funerary Monument of John Hawkwood Paolo Uccello 1436
- Garden of the Fugitives 79 AD (eruption) / 19th century (casts)
- Gates of Paradise Lorenzo Ghiberti 1425–1452
- Genealogy of Christ, with the Life of Christ and the Virgin Paolo Veneziano Mid-14th century
- Genesis Cupola Mosaics c. 1215-1235
- Glorification of Saint Ignatius Andrea Pozzo 1691-1694
- Glory of Saint Aloysius Gonzaga Pierre Le Gros the Younger 1697-1699
- Great Trajanic Frieze c. AD 107–117 (reign of Trajan); reused AD 315
- Hadrianic Tondi (North Side: Boar Hunt and Sacrifice to Apollo) c. AD 117–138 (reign of Hadrian); reused AD 315
- Hadrianic Tondi (North Side: Lion Hunt and Sacrifice to Hercules) c. AD 117–138 (reign of Hadrian); reused AD 315
- Hadrianic Tondi (South Side: Bear Hunt and Sacrifice to Diana) c. AD 117–138 (reign of Hadrian); reused AD 315
- Hadrianic Tondi (South Side: Departure for the Hunt and Sacrifice to Silvanus) c. AD 117–138 (reign of Hadrian); reused AD 315
- Hercules and Antaeus (Bronze) Antonio del Pollaiuolo c. 1475
- Hercules and Cacus Baccio Bandinelli 1525-1534
- Hercules and the Hydra Antonio del Pollaiuolo c. 1470–1475
- Hercules Slaying Antaeus Antonio del Pollaiuolo c. 1470–1475
- Honour (L'Onore) Paolo Veronese 1556-1557
- Horses of Saint Mark Antiquity (possibly 4th century BC or 2nd century AD)
- Hours of Gian Galeazzo Visconti Giovannino dei Grassi c. 1370–1395
- House of the Faun 2nd century BC (Samnite period)
- House of the Tragic Poet 2nd century BC
- House of the Vestals Roman Republic to Late Empire
- House of the Vettii Frescoes After 62 AD
- Iconostasis Pierpaolo dalle Masegne 1394
- Il Paradiso Tintoretto 1588-1592
- Isaiah Michelangelo 1508-1509
- Jacob's Return to Canaan Jacopo Bassano c. 1580
- Jesus giving the Keys to St. Peter Lorenzo Veneziano 1370
- Joy of Prairies and Gardens c. 1735-1762
- Judith and Holofernes Donatello c. 1457–1464
- Judith with the Head of Holofernes Cristofano Allori 1613
- Juno Showering Gifts on Venice Paolo Veronese 1553-1554
- Justice Between the Archangels Michael and Gabriel Jacobello del Fiore 1421
- Keystone Figures c. AD 312–315
- La Bella Titian c. 1536
- La donna gravida Raphael c. 1505–1506
- La velata Raphael c. 1515-1516
- Lamentation over the Dead Christ Pietro Perugino 1495
- Landscape of the Arno Valley Leonardo da Vinci August 5, 1473
- Laocoön and His Sons Agesander of Rhodes c. 40-30 BC (or possibly later Roman copy of earlier Greek bronze)
- Lapis Niger 7th-6th century BC
- Last Judgement Pietro Cavallini c. 1289–1293
- Last Supper El Greco 1568
- Last Supper Andrea del Castagno 1445–1450
- Last Supper with the Tree of Life Taddeo Gaddi c. 1355–1360
- Laurentian Library 1525-1571
- Legend of Saint Ursula Vittore Carpaccio 1490–1495
- Legend of Saint Ursula Cycle Vittore Carpaccio 1490-1495
- Legend of the True Cross Agnolo Gaddi 1385–1387
- Liberation of Saint Peter Raphael 1514
- Libyan Sibyl Michelangelo 1511
- Lion of Saint Mark Medieval
- Loggia Mosaics Filippo Rusuti c. 1288–1297
- Lupanar Frescoes 1st century AD
- Lupanar Graffiti 1st century AD
- Madonna and Child Michele Giambono Early 15th century
- Madonna and Child Dieric Bouts Mid-15th century
- Madonna and Child Bartolomeo Vivarini Mid-15th century
- Madonna and Child (Frizzoni Madonna) Giovanni Bellini c. 1470-1475
- Madonna and Child (Rucellai Madonna) Duccio 1285
- Madonna and Child with Angels Lorenzo Lotto c. 1525
- Madonna and Child with Saint Anne (Dei Palafrenieri) Caravaggio 1605–1606
- Madonna and Child with St. Nicholas and St. Lawrence Cima da Conegliano Early 16th century
- Madonna del Sasso Lorenzetto c. 1524
- Madonna Enthroned (Ognissanti Madonna) Giotto c. 1306–1310
- Madonna Nicopeia Icon 10th-11th century (frame 14th century)
- Madonna of Mercy between St Francis and St John the Baptist 15th century
- Madonna of the Magnificat Sandro Botticelli c. 1481
- Madonna of the Stairs Michelangelo c. 1491
- Madonna with Child with Scenes of the Life of Saint Anne (Pitti Tondo) Filippo Lippi c. 1452
- Madonna with Glass Eyes (Madonna degli Occhi di Vetro) Arnolfo di Cambio c. 1300-1310
- Madonna, Child and St. John the Baptist Vittore Carpaccio Early period
- Magi Chapel Benozzo Gozzoli c. 1459
- Marble David Donatello 1408-1416
- Marble Doorcase 11th century
- Marcus Aurelius Relief Panels (North Side) c. AD 176–180 (reign of Marcus Aurelius); reused AD 315
- Marcus Aurelius Relief Panels (South Side) c. AD 176–180 (reign of Marcus Aurelius); reused AD 315
- Marriage at Cana Tintoretto 1561
- Mars and Neptune Jacopo Sansovino 1567
- Martelli Annunciation Filippo Lippi c. 1440
- Marzocco Donatello 1419-1420
- Mascoli Chapel Mosaics Michele Giambono First half of 15th century
- Mausoleum of Maxentius Early 4th century AD
- Medici Chapels Michelangelo 1520-1534
- Mercury and the Three Graces Tintoretto c. 1578
- Meta Sudans c. AD 89-96
- Minerva Protecting Peace and Abundance from Mars Tintoretto c. 1578
- Miracle of the Relic of the Cross at the Ponte di Rialto Vittore Carpaccio c. 1496
- Monument to Titian 1852
- Moses Michelangelo c. 1513-1515
- Music (La Musica) Paolo Veronese 1556-1557
- Nativity Sculptures Arnolfo di Cambio c. 1291
- Nave Mosaics c. 432–440
- North Door of Florence Baptistery Lorenzo Ghiberti 1403–1424
- North Sacristy Intarsia Giuliano da Maiano c. 1463–1465
- Oceanus (Neptune) Pietro Bracci 1761-1762
- Old Sacristy (Sagrestia Vecchia) Filippo Brunelleschi 1421–1428
- Ospedale degli Innocenti Brunelleschi 1419–1445
- Ovid's Heroides Reference Before 79 AD
- Pala d'Oro 10th-14th century (created in phases)
- Palazzo Rucellai Alberti c. 1446–1451
- Palestrina Pietà c. 1555
- Panciatichi Assumption Andrea del Sarto c. 1522–1523
- Pauline (Borghese) Chapel Frescoes Giuseppe Cesari (Cavalier d'Arpino) 1605–1616
- Penitent Magdalene Donatello c. 1440
- Pentecost Cupola Mosaic 12th century
- Pesaro Madonna Titian 1519-1526
- Philosophy (The School of Athens) Raphael 1509-1511
- Pietà Titian 1575-1576
- Pietà Michelangelo 1498-1499
- Pietà Giovanni Bellini c. 1460s
- Pietà Giovanni Bellini c. 1465–1470
- Pietà Cosmè Tura c. 1460
- Pietà Antonello da Messina c. 1474-1476
- Pippo Spano Andrea del Castagno c. 1450
- Plato Paolo Veronese 1560s
- Poetry (The Parnassus) Raphael 1509-1510
- Portrait of a Lady with Flowers Andrea del Verrocchio c. 1475–1480
- Portrait of a Man with a Medal of Cosimo de Medici Sandro Botticelli c. 1475
- Portrait of a Young Englishman Titian c. 1540–1545
- Portrait of Agnolo Doni Raphael c. 1506
- Portrait of Doge Giovanni Mocenigo Gentile Bellini c. 1478-1485
- Portrait of Francesco delle Opere Pietro Perugino 1494
- Portrait of Leo X Raphael c. 1518-1519
- Portrait of Maddalena Doni Raphael c. 1506
- Portrait of Pietro Aretino Titian c. 1545
- Portrait of Terentius Neo c. 50 AD
- Portrait of the Four Tetrarchs c. 300 AD
- Priapus Fresco (House of the Vettii) After 62 AD
- Primavera Sandro Botticelli c. 1477–1482
- Procession in St. Mark's Square Gentile Bellini c. 1496
- Procession of the Magi Benozzo Gozzoli c. 1459
- Procession of the True Cross in Piazza San Marco Gentile Bellini c. 1496
- Products of Autumn Francesco Queirolo c. 1735-1762
- Province Personification Reliefs c. 145 CE
- Punishment of the Korah, Dathan and Abiram Sandro Botticelli 1481–1482
- Regia 8th century BC (original); multiple rebuildings
- Relief of Agrippa Approving the Aqueduct Plans c. 1758
- Relief of the Virgin Showing Soldiers the Spring c. 1758
- Room of the Masks Frescoes c. 30 BC
- Rose Window Andrea da Firenze c. 1365
- Rostra Various dates; main platform moved to current location 44 BC by Julius Caesar
- Sacred and Profane Love Titian c. 1514
- Sacristy Vault Mosaics 1524–1530
- Saint Bruno Jean-Antoine Houdon 1766-1767
- Saint Jerome Writing Caravaggio c. 1605–1606
- Saint John the Baptist Lorenzo Ghiberti 1412-1416
- Saint John the Baptist Donatello 1438
- Saint Mark Donatello 1411-1413
- Saint Mark Enthroned Titian 1510-1511
- Saint Matthew Michelangelo c. 1506
- Salus Populi Romani Uncertain, possibly 5th–9th century
- San Giobbe Altarpiece Giovanni Bellini c. 1487
- San Marco Altarpiece Fra Angelico c. 1438–1443
- Santa Maria Novella Facade Alberti 1456–1470
- Schola Cantorum Cosmati 13th century (incorporating 8th-century opus sectile elements)
- Separation of Light from Darkness Michelangelo 1512
- Sforza Chapel Michelangelo c. 1564–1573
- Sistine Chapel Frescoes (Santa Maria Maggiore) Cesare Nebbia 1587–1589
- Sixtus IV Appointing Platina as Prefect of the Vatican Library Melozzo da Forlì 1477
- South Door of Florence Baptistery Andrea Pisano 1330–1336
- Spandrel Victories and River Gods c. AD 312–315
- St. Anthony of Padua Alvise Vivarini Late 15th century
- St. Francis Undergoing the Test by Fire Giotto c. 1325–1328
- St. George Donatello 1416–1417
- St. George and the Dragon Donatello 1416–1417
- St. John the Baptist Lorenzo Ghiberti 1412–1416
- St. Mark Donatello 1411–1413
- St. Mark Preaching in Alexandria Gentile Bellini 1504–1507
- St. Peter Martyr Vittore Carpaccio Late period
- St. Sylvester Sealing the Dragon's Mouth Maso di Banco c. 1340
- Story of Noah Paolo Uccello c. 1447
- Studiolo of Francesco I 1570-1572
- Study of Composition of Last Supper Leonardo da Vinci
- Suburban Baths Erotic Frescoes 62-79 AD
- Tabernacle of Orsanmichele Andrea Orcagna 1359
- Tempietto 1502
- Temple of Antoninus and Faustina 141 AD
- Temple of Caesar 29 BC
- Temple of Castor and Pollux Originally 495 BC; current ruins from 6 AD reconstruction
- Temple of Concord 367 BC (traditional); rebuilt 121 BC and again 7 BC-10 AD by Tiberius
- Temple of Saturn Originally dedicated 497 BC; current ruins from 42 BC reconstruction
- Temple of Vespasian and Titus 79-87 AD
- Temple of Vesta 7th century BC (rebuilt multiple times; current partial reconstruction from early 20th century)
- The Adoration of the Magi Pieter Brueghel the Younger Late 16th century
- The Apparition of the Virgin Mary to Saint Bruno Giovanni Odazzi c. 1700
- The Baptism of Christ Andrea del Verrocchio c. 1472–1475
- The Baptism of Jesus Carlo Maratta 1697
- The Battle of Anghiari Leonardo da Vinci 1505
- The Battle of Marciano in Val di Chiana Giorgio Vasari 1555-1572
- The Brazen Serpent Michelangelo 1511-1512
- The Cardinal Virtues Raphael 1511
- The Confirmation of the Franciscan Rule by Pope Honorius III Domenico Ghirlandaio 1482–1485
- The Death of Ananias and Sapphira Cristoforo Roncalli 1604
- The Delivery of the Keys Girolamo Muziano c. 1585
- The Deposition Raphael 1507
- The Deposition (Florentine Pietà) Michelangelo 1547-1555
- The Doni Tondo Michelangelo c. 1506
- The Expulsion of Heliodorus from the Temple Raphael 1511-1512
- The Feast in the House of Levi Paolo Veronese 1573
- The Flood Michelangelo 1508-1509
- The Foreshortened Christ (Lamentation of Christ) Andrea Mantegna c. 1480
- The Forge of Vulcan Tintoretto c. 1578
- The Genius of Victory Michelangelo 1532-1534
- The Last Judgement (Vasari and Zuccari) Giorgio Vasari 1572-1579
- The Last Supper Leonardo da Vinci c. 1495–1498
- The Last Supper Domenico Ghirlandaio 1486
- The Madonna and Child with Saints Domenico Veneziano c. 1445–1447
- The Marriage of the Virgin Raphael 1504
- The Martyrdom of Saint Sebastian Domenichino 1629
- The Mass at Bolsena Raphael 1512
- The Meeting of Leo the Great and Attila Raphael 1514
- The Pentecost Titian c. 1545
- The Presentation of the Virgin at the Temple Titian 1534-1538
- The Presentation of the Virgin Mary at the Temple Giovanni Francesco Romanelli 1638-1642
- The Rape of Europa Paolo Veronese c. 1580
- The Rape of Proserpina Gian Lorenzo Bernini 1621–1622
- The Tempest Giorgione 1506-1508
- The Vision of Saint Bernard Fra Bartolommeo 1504-1507
- Tomb of Antonio Canova Antonio Canova 1827
- Tomb of Caecilia Metella c. 30-10 BC
- Tomb of Carlo Marsuppini Desiderio da Settignano 1453–1455
- Tomb of Giuliano de' Medici, Duke of Nemours Michelangelo 1526-1534
- Tomb of Lorenzo de' Medici, Duke of Urbino Michelangelo 1524-1534
- Tomb of Pope Sixtus IV Antonio del Pollaiuolo 1484–1493
- Tomb of the Haterii c. AD 100-120
- Tomb of the Scipios Early 3rd century BC - 1st century AD
- Tornabuoni Chapel Frescoes Domenico Ghirlandaio 1485–1490
- Transfiguration Raphael 1516-1520
- Transfiguration of Christ Giovanni Bellini c. 1480
- Treasury of St Mark's Basilica Various (6th-14th century)
- Trinity Masaccio c. 1427
- Tritons with Hippocamps Pietro Bracci 1761-1762
- Triumph of Venice Palma il Giovane 1582
- Triumphal Arch Mosaics c. 432–440
- Trompe-l'œil Dome Andrea Pozzo 1685 (original, destroyed; reproduced 1823 by Francesco Manno)
- Trophy Reliefs c. 145 CE
- Two Venetian Ladies Vittore Carpaccio c. 1490-1495
- Vallombrosa Altarpiece Pietro Perugino 1500-1501
- Vault Fresco Fragments (St. Michael Chapel) Piero della Francesca Mid-15th century
- Velarium c. AD 80
- Venus Victrix Antonio Canova 1805–1808
- Via Sacra Roman Kingdom through Empire
- View of Venice Jacopo de' Barbari 1498-1500
- Villa of the Mysteries Frescoes c. 70-60 BC
- Villa of the Quintilii 2nd century AD
- Virgil Quotations Before 79 AD
- Vitruvian Man Leonardo da Vinci c. 1490
- Wisdom (La Sapienza) Titian c. 1560
- Young Sick Bacchus Caravaggio c. 1593–1594
- Young Slave Michelangelo c. 1525-1530
- Young Woman with Unicorn Raphael c. 1505–1506
- Youth of Moses Sandro Botticelli 1481–1482
- Zuccone (Prophet Habakkuk) Donatello 1423-1425
Milan
- Castello Sforzesco1
- Chiesa di Santa Maria presso San Satiro
- Galleria Vittorio Emanuele II
- La Rinascente
- Milan Cathedral
- Pinacoteca Ambrosiana1
- Pinacoteca di Brera4
- Santa Maria delle Grazie1
Venice
- Basilica dei Santi Giovanni e Paolo1
- Basilica di Santa Maria Gloriosa dei Frari6
- Biblioteca Nazionale Marciana7
- Bridge of Sighs
- Ca' d'Oro
- Doge's Palace11
- Gallerie dell'Accademia8
- Gallerie dell'Accademia5
- Museo Correr23
- Palazzo Contarini del Bovolo
- Piazza San Marco
- Saint Mark's Basilica17
- Santa Maria della Salute6
- St Mark's Campanile
Florence
- Baptistery of Florence4
- Bargello13
- Basilica di Santa Trinita2
- Basilica of San Lorenzo7
- Biblioteca Nazionale1
- Casa Buonarroti2
- Florence Cathedral6
- Galleria dell'Accademia8
- Giotto's Campanile
- Leonardo Interactive Museum
- Loggia dei Lanzi
- Mercato Centrale
- Museo di San Marco3
- Officina Profumo-Farmaceutica di Santa Maria Novella
- Opera del Duomo Museum7
- Orsanmichele7
- Ospedale degli Innocenti1
- Palazzo Medici Riccardi2
- Palazzo Pitti8
- Palazzo Rucellai1
- Palazzo Strozzi
- Palazzo Vecchio8
- Piazzale Michelangelo
- Pitti Gallery2
- San Marco1
- Sant'Apollonia1
- Santa Croce7
- Santa Maria Novella8
- Santo Spirito1
- Uffizi Gallery29
Vatican City
Rome
- Aqua Virgo
- Arch of Constantine14
- Basilica of San Pietro in Vincoli1
- Baths of Caracalla
- Baths of Diocletian9
- Catacomb of Callixtus
- Catacombs of Domitilla
- Catacombs of San Sebastiano
- Colosseum4
- Galleria Borghese14
- National Gallery of Ancient Art1
- Palatine Hill3
- Pantheon7
- Roman Forum18
- San Sebastiano fuori le mura
- Sant'Ignazio5
- Santa Cecilia in Trastevere1
- Santa Maria in Cosmedin6
- Santa Maria in Palmis (Domine Quo Vadis)
- Santa Maria Maggiore11
- Tempietto
- Temple of Hadrian2
- Trevi Fountain10
- Via Appia Antica5
Campania
Iconographic Types
- Christus triumphans
A cross depicting a living Christ, showing him triumphant over death.
- Christus patiens
A cross depicting a dead Christ, emphasizing his suffering and sacrifice.
- Tondo
A circular painting or relief sculpture. The term comes from the Italian word "rotondo" (round).
Names
- Francesco
方濟各 - Francis (as in St. Francis of Assisi).
Materials
- Pietra serena
Blue-gray sandstone used extensively in Renaissance Florence for architectural elements.
Decorative Techniques
- Opus sectile
A Roman and medieval technique of creating decorative surfaces by cutting and fitting together pieces of marble or other colored stones into patterns or figures. Unlike mosaic, which uses small uniform tesserae, opus sectile uses larger, custom-cut pieces. Fragments from the Domus Transitoria on the Palatine Hill in the Palatine Museum demonstrate this decorative technique. The Cosmatesque style is a form of opus sectile, as seen in the pavement of Santa Maria in Cosmedin.
Architectural Terms
- Cantoria
A raised platform or gallery for singers, usually in a church. The two famous Cantorie by Luca della Robbia (1431-1438) and Donatello (1433-1439) were created for Florence Cathedral and are now in the Museo dell'Opera del Duomo.
- Capomaestro
Italian term meaning "head master" or "chief master," referring to the lead architect or master builder in charge of a major construction project such as a cathedral. Arnolfo di Cambio was documented as capomaestro for Florence Cathedral in 1300.
- Opera del Duomo
The institution responsible for the building and maintenance of Florence Cathedral. Founded in 1296, it supervised the construction and continues to maintain the cathedral complex today. The term literally means "Works of the Cathedral."
- Baldacchino
An ornamental canopy of stone, wood, or metal permanently placed over an altar or throne in a church. Also called a ciborium when in stone or metal. The Ciborium of Deodatus (1294) at Santa Maria in Cosmedin is a notable example in the Florentine Gothic style with Cosmatesque decoration.
- Diaconia
An early Christian institution or building dedicated to charitable work, particularly the distribution of food to the poor. Santa Maria in Cosmedin was originally established as a diaconia in the 6th century, serving the Greek community in Rome.
- Thermae
The Latin term for large-scale public bathing establishments in ancient Rome, distinguished from smaller balnea (singular: balneum). Thermae were vast complexes containing not just bathing facilities but also exercise areas (palaestrae), libraries, lecture halls, and gardens. The Baths of Caracalla are a major example.
- Frigidarium
The cold room in Roman thermae, featuring a large cold plunge pool. Often the most ornately decorated room in the bath complex. The Farnese Hercules was recovered from the frigidarium of the Baths of Caracalla.
- Palaestra
An exercise ground attached to Roman baths where visitors could exercise before bathing. The Farnese Bull was discovered in the palaestra of the Baths of Caracalla.
- Doric Order
The earliest and simplest of the three classical orders of Greek and Roman architecture, recognized by simple circular capitals atop sturdy, fluted columns with no base. Used on the ground floor of the Colosseum for its strength and simplicity.
- Ionic Order
One of the three canonic orders of classical architecture, characterized by scroll-shaped volutes on the capitals and more slender proportions than Doric. Used on the second tier of the Colosseum.
- Corinthian Order
The most ornate of the three principal classical orders, featuring elaborate capitals decorated with acanthus leaves. Used on the third tier of the Colosseum, supporting the least weight with the most decorative appearance.
- Roman Amphitheatre
A large, elliptical open-air venue with tiered seating built by ancient Romans for events such as gladiatorial combats, animal hunts (venationes), and public executions. About 230 Roman amphitheatres have been found across the Roman Empire. The Colosseum is the largest example.
- Hypogeum
An underground structure or chamber, from the Greek for "under the earth." Used to describe subterranean temples, tombs, and burial places. The Colosseum's hypogeum refers specifically to the underground network of tunnels beneath the arena floor, used to house gladiators, animals, and stage machinery; trapdoors enabled sudden appearances of performers and scenery. The Tomb of the Scipios on the Via Appia Antica is another example of a hypogeum.
- Spolia
Architectural and sculptural elements taken from earlier structures and reused in new construction. The Arch of Constantine is the most famous example of spolia in Roman architecture, incorporating reliefs, statues, and columns from monuments of Trajan, Hadrian, and Marcus Aurelius. The practice served both practical and ideological purposes — linking Constantine to the "good emperors" of Rome's golden age while demonstrating continuity of imperial power.
Roman Military and Ritual
- Adlocutio
A formal address by a Roman emperor or general to his assembled troops, frequently depicted in Roman imperial relief sculpture. On the Arch of Constantine, adlocutio scenes appear in both the Marcus Aurelius panels and the Constantinian frieze, showing the emperor on a raised platform addressing soldiers arranged in rows below.
- Suovetaurilia
An ancient Roman sacrificial rite in which a pig (sus), sheep (ovis), and bull (taurus) were sacrificed to Mars. Depicted on the south side Marcus Aurelius panels of the Arch of Constantine, the ritual was performed for purification of the army or consecration of land.
Painting Styles
- Pompeian Styles
Four periods distinguished in ancient Roman mural painting, originally delineated by German archaeologist August Mau from excavations at Pompeii:
- First Style (Incrustation, c. 200-80 BC): Imitation of marble veneer
- Second Style (Architectural, c. 80-20 BC): Illusionistic architecture and depth
- Third Style (Ornamental, c. 20 BC-50 AD): Delicate, decorative motifs
- Fourth Style (Intricate, c. 50-79 AD): Combines elements of previous styles
- Second Style (Roman wall painting)
Also called the "Architectural Style," the second of four Pompeian Styles of Roman mural painting (c. 80 BC – 20 BC). Characterized by illusionistic architectural elements that appear to open up the wall, creating the effect of looking through a window or into another room. The Room of the Masks Frescoes in the House of Augustus on the Palatine Hill is a prime example.
Mythology
- Ariadne
Cretan princess, daughter of King Minos. She helped Theseus escape from the Minotaur's labyrinth but was abandoned by him on the island of Naxos. There, the god Dionysus (Bacchus) found her sleeping, fell in love with her, and made her his wife, throwing her jeweled crown into the sky to create the constellation Corona Borealis.
- Europa
)
Phoenician princess from Tyre and mother of King Minos of Crete. Zeus, disguised as a beautiful white bull, approached Europa while she gathered flowers by the sea. When she climbed onto his back, he swam to Crete. The continent of Europe is named after her.
- Three Graces
In Greek mythology, the Charites (or Graces in Roman mythology) were three goddesses of charm, beauty, nature, human creativity, goodwill, and fertility. Traditionally named Aglaea (Splendor), Euphrosyne (Mirth), and Thalia (Good Cheer), they were attendants of Aphrodite/Venus.
Religious and Ritual
- Priapus
A minor rustic fertility god in Greek and Roman mythology, protector of livestock, fruit plants, gardens, and male genitalia. Marked by his oversized, permanent erection (giving rise to the medical term priapism). He became a popular figure in Roman erotic art and Latin literature, and was often depicted at house entrances as a protective talisman.
- Dionysian Mysteries
A ritual of ancient Greece and Rome, sometimes using trance-inducing techniques. The cult of Dionysus (Bacchus) provided liberation for marginalized groups. The mysteries are depicted in the famous frescoes of the Villa of the Mysteries.
Latin Phrases
- Cave Canem
Latin for "Beware of the Dog," a warning phrase found on mosaic floors in Roman houses, most famously at the House of the Tragic Poet in Pompeii.
Archaeological Terms
- Catacomb
Underground cemeteries used primarily in ancient Rome and the surrounding regions. Christians and Jews dug these extensive tunnel networks in the soft tufa rock to bury their dead, as Roman law prohibited burial within the city walls. The term may derive from the Greek "kata kumbas" (near the hollow). Notable examples along the Via Appia Antica include the Catacomb of Callixtus, Catacombs of San Sebastiano, and Catacombs of Domitilla.
- Apodyterium
The dressing room of a Roman bath house where bathers would undress and store their clothes in numbered cubby holes or boxes. The apodyterium of the Suburban Baths at Pompeii is famous for its erotic frescoes.
- Graffito
In an archaeological context, a deliberate mark made by scratching or engraving on a large surface such as a wall. The marks may form an image or writing. Distinguished from painted inscriptions (dipinti), which were typically used for public notices.
- Corpus Inscriptionum Latinarum (CIL)
A comprehensive collection of ancient Latin inscriptions forming the authoritative source for documenting Roman epigraphy. Volume 4 of the CIL is dedicated to Pompeii and Herculaneum inscriptions, with graffiti numbered sequentially (e.g., CIL 4.5296).
- Spintria
Small bronze or brass Roman tokens (about 24mm diameter) with erotic imagery on one side and Roman numerals I-XVI on the other. One theory suggests they were used as locker tokens in bath houses like the Suburban Baths, where the sexual scenes matched wall paintings above numbered storage boxes.

Museums
- Secret Museum, Naples
Also called the Secret Cabinet (Gabinetto Segreto), this collection at the National Archaeological Museum of Naples houses 1st-century Roman erotic art found at Pompeii and Herculaneum. The collection was repeatedly opened and closed to the public between 1819 and 2000 due to changing attitudes toward sexuality. Since 2005, visitors must be at least 14 years old to enter.
Linguistics
- Vulgar Latin
The non-formal registers of Latin spoken from the Late Roman Republic onward, as opposed to Classical Latin used in formal writing. The graffiti of Pompeii provides invaluable evidence of how ordinary Romans actually spoke, preserving colloquialisms, slang, and regional variations lost from literary sources.
Historical Events
- Battle of Issus
A battle in southern Anatolia on 5 November 333 BC between the Hellenic League led by Alexander the Great and the Achaemenid Empire led by Darius III. Alexander's victory forced Darius to flee, leaving behind his family and treasury. This battle is the subject of the famous Alexander Mosaic found in the House of the Faun.
- Fourth Crusade
A Latin Christian armed expedition (1202-1204) that culminated in the 1204 sack of Constantinople rather than the intended conquest of Egypt. The Venetians, who provided the fleet, gained enormous amounts of treasure including the Horses of Saint Mark, the Portrait of the Four Tetrarchs, the Madonna Nicopeia icon, and countless items now in the Treasury of Saint Mark's Basilica.
Byzantine and Venetian Terms
- Nicopeia
From Greek meaning "bringer of victory." A title of the Virgin Mary and a type of Byzantine icon showing Mary frontally holding the Christ Child. The Madonna Nicopeia in St Mark's was believed to bring victory to Byzantine emperors who carried it into battle.
- Tetrarchy
The system instituted by Roman emperor Diocletian (AD 293-324) to govern the Roman Empire by dividing it between two senior emperors (augusti) and two junior colleagues (caesares). The Portrait of the Four Tetrarchs on Saint Mark's Basilica depicts this system.
- Translatio
The term for the ceremonial transfer of relics from one location to another. The translatio of Saint Mark's relics from Alexandria to Venice in 828 is depicted in mosaics on the basilica's facade.
- Quadriga
A chariot drawn by four horses, often depicted in ancient Roman triumphal art. The Horses of Saint Mark originally formed part of a quadriga monument, possibly from a Roman triumphal arch or hippodrome.
- Iconostasis
In Eastern Christianity, a wall of icons and religious paintings separating the nave from the sanctuary. In Western churches influenced by Byzantine tradition, such as St Mark's, it takes the form of a rood screen. The Iconostasis at St Mark's by the Dalle Masegne brothers (1394) combines this Byzantine liturgical element with Gothic sculptural style.
- Ciborium
)
In ecclesiastical architecture, a canopy or covering supported by columns that stands over and covers the altar. Also known as a baldachin. The Ciborium Columns at St Mark's rest on four carved alabaster columns containing 108 relief scenes.
Manuscripts
- Cotton Genesis
A Greek illuminated manuscript of the Book of Genesis, one of the oldest illustrated biblical codices to survive to the modern period. Brought from Constantinople, it heavily influenced the design of the Genesis Cupola Mosaics in the narthex of Saint Mark's Basilica.
Roman Law and Practice
- Damnatio Memoriae
A Roman practice of erasing a person from official history, including removing their name from inscriptions and destroying their images. Applied to Geta after his murder by Caracalla, visible on the Arch of Septimius Severus where Geta's name was chiseled away. Also visible on the Arch of Constantine, where the figure of Commodus was erased from the Marcus Aurelius relief panels.
- Vestal Virgin
Priestesses of Vesta, goddess of the hearth, who tended the sacred fire in the Temple of Vesta. They served for 30 years and took a vow of chastity. Breaking this vow was punishable by being buried alive. Vestals enjoyed privileges unusual for Roman women, including the right to own property and freedom from their father's control.
- Aerarium
The public treasury of ancient Rome, located in the Temple of Saturn. It held the state's reserves of gold and silver, as well as important documents including laws engraved on bronze tablets.
- Curia
The meeting house of the Roman Senate. The Curia Julia, built by Julius Caesar and Augustus, is the third and best-preserved of Rome's senate houses.
- Basilica
In Roman architecture, a large public building used for legal and commercial business. The form, with a central nave flanked by aisles, was later adopted for Christian churches. Examples in the Roman Forum include the Basilica Julia and Basilica Aemilia.
- Triumphal Arch
A monumental structure in the shape of an archway, typically celebrating a military victory. The Roman Forum contains some of the earliest and most influential examples, including the Arch of Titus and Arch of Septimius Severus. The Arch of Constantine, the largest Roman triumphal arch, stands between the Colosseum and the Palatine Hill.
- Saturnalia
An ancient Roman festival in honor of Saturn, held in December. A time of feasting, gift-giving, and temporary social role reversal. The Temple of Saturn in the Forum was the center of this celebration.
Historical Events (Roman)
- Sack of Rome (410)
)
The Visigoths under King Alaric I sacked Rome for three days on August 24, 410 AD. This was the first time in almost 800 years that Rome had been taken by a foreign enemy. Evidence of the destruction is visible in the Basilica Aemilia, where coins melted into the floor during fires.
- Siege of Jerusalem (70 AD)
)
The siege and conquest of Jerusalem by Roman forces led by the future Emperor Titus in 70 AD. The city and the Second Temple were destroyed. The famous reliefs inside the Arch of Titus depict the triumphal procession displaying spoils from the Temple, including the Menorah.
Roman Roads
- Via Appia (Appian Way)
Latin name for the Appian Way, one of the earliest and strategically most important Roman roads of the ancient republic. Roman roads were named after the magistrates who commissioned them—in this case, Appius Claudius Caecus, censor in 312 BC who initiated the road's construction. Called the "Queen of Roads" (Regina Viarum), it connected Rome to Brindisi in southeast Italy. The preserved section near Rome, the Via Appia Antica, is now a regional park containing catacombs, tombs, monuments, and early Christian churches.