Sant'Ignazio Self-researched

Rome, Italy

Architectural style: Baroque

Artworks

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Trompe-l'œil Dome Self-researched

Andrea Pozzo Painting on canvas 1685 (original, destroyed; reproduced 1823 by Francesco Manno)

A flat circular canvas painted to create the illusion of a cupola, since the planned dome was never built due to disputes with the Ludovisi donors. Using masterful perspective, Pozzo created the appearance of a coffered dome when viewed from the correct vantage point in the nave. The original was destroyed by fire and faithfully reproduced in 1823.

Apse and Presbytery Frescoes Self-researched

Andrea Pozzo Fresco 1685-1701

The frescoes illustrate key moments from Saint Ignatius's life and the founding of the Society of Jesus, including the siege of Pamplona, service to plague victims, Francis Borgia's entry into the order, Francis Xavier's mission to the Indies, and the famous La Storta vision where Christ appeared to Ignatius.

Glorification of Saint Ignatius Self-researched

Andrea Pozzo Fresco 1691-1694

A masterpiece of Baroque illusionism covering over 40 meters of the nave ceiling. The fresco depicts the apotheosis of St. Ignatius, with light emanating from God the Father to the Son, then to St. Ignatius, breaking into four rays leading to allegorical representations of the four continents. The quadratura technique creates the illusion of three-dimensional architecture extending infinitely into the heavens, visible from a marked spot on the nave floor.

Glory of Saint Aloysius Gonzaga Self-researched

Pierre Le Gros the Younger Marble relief 1697-1699

A large marble high-relief altarpiece in the right transept chapel depicting St. Aloysius Gonzaga ascending to heaven with symbols of Penance and Purity above. The monumental altar was designed by Andrea Pozzo. Two cherub sculptures by Le Gros embody the saint's renunciation of worldly honors—one pushing away a globe, the other with a marquis's crown at his feet. The chapel contains a lapis lazuli urn with the saint's remains.

Annunciation Altar Self-researched

Filippo della Valle Sculpture 18th century

The altarpiece in the Ludovisi Chapel dedicated to the Annunciation. The chapel houses the remains of Saint John Berchmans, a Belgian Jesuit scholastic who died while studying at the Roman College.