Santa Maria della Salute Self-researched
Venice, Italy
Architectural style: Baroque
Artworks
Saint Mark Enthroned Self-researched
The altarpiece of the sacristy, originally painted for Santo Spirito in Isola. Saint Mark sits enthroned holding his gospel, flanked by Saints Cosmas and Damian (patron saints of physicians) on the left, and Saints Roch and Sebastian (saints invoked during plague) on the right. Thought to be Titian's first independent commission.
David and Goliath Self-researched
One of three dramatic ceiling paintings, originally for Santo Spirito. Walter Friedlaender called these paintings "manifestations of genius unprecedented even in Titian's own work" for their impassioned power of movement and daring use of foreshortening. Highly influential on Baroque painting.
Cain and Abel Self-researched
Ceiling painting showing Cain killing his brother Abel. Part of Titian's Old Testament ceiling series, renowned for its powerful foreshortening and dynamic composition.
Abraham and Isaac Self-researched
Ceiling painting in the sacristy, part of the trio with David and Goliath and Cain and Abel. Depicts the moment of Abraham's sacrifice being stayed by an angel. Demonstrates Titian's mastery of dramatic perspective.
The Pentecost Self-researched
A large painting in the nave depicting the descent of the Holy Spirit upon the apostles. One of several Titian works transferred to the Salute from suppressed churches.
Marriage at Cana Self-researched
Displayed in the great sacristy, this painting depicts Christ's first miracle at the wedding feast. Notable for including a self-portrait of the artist among the wedding guests.