Basilica di Santa Maria Gloriosa dei Frari My Study Self-researched

Venice, Italy

Architectural style: Gothic

Artworks

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Saint John the Baptist Self-researched

Donatello Painted wood 1438

The only statue by Donatello still in Venice. This wooden sculpture was restored in 1973, revealing the artist's signature with the date 1438. Located in the Cappella di San Giovanni Battista.

Saint John the Baptist

Frari Triptych

Giovanni Bellini Oil on panel 1485–1488

Uses oil that enabled Bellini to cast golden light onto Mary. A triptych altarpiece still in its original location in the sacristy of the Frari.

Frari Triptych

Assumption of the Virgin Self-researched

Titian Oil on panel 1515-1518

Titian's most famous painting, commissioned for the Basilica and remaining in its original position on the high altar. The largest altarpiece in Venice, with figures well over life-size. The work established Titian as the most prominent painter of 16th century Venice. Also known as the Assunta.

Assumption of the Virgin

Pesaro Madonna Self-researched

Titian Oil on canvas 1519-1526

Located in the left nave, this revolutionary painting places the Madonna and Child dramatically off-center to the upper right rather than in the physical center. Commissioned by Bishop Jacopo Pesaro, this asymmetrical arrangement was highly innovative and influenced religious painting for generations.

Pesaro Madonna

Tomb of Antonio Canova Self-researched

Antonio Canova Marble 1827

A pyramidal monument originally designed by Canova as a tomb for Titian. After Canova's death, his students used the design to create his own memorial. His heart is interred here; his body is in Possagno.

Monument to Titian Self-researched

Marble 1852

A large 19th-century monument marking Titian's burial place, including a relief version of the Assumption. Titian died of plague in 1576 and was buried here despite plague regulations normally requiring burial elsewhere.